The Survivors
This post is related to another post called
Theaters Past & Community Theatre
The last post highlighted the countless theaters that due to financial, economic, and changing cultural relativities of the times did not survive the 20th century. This post highlights theaters that did due to a culural revival and community's unwavering interest and support have remained
the official address
geographical location
1142-1444 Oakdale Avneue
This vintage theater is the only continuously operating theater
in the City of Chicago
1911 program cover
image via Jeff DeLong
a pin - Ebay
The Athenaeum Theater opened in 1910 supported by
St. Alphonsus Church parishioners as a recreational center serving the mostly German community of that time. The building featured a 1000 seat theater for German Operetta, gymnasium, bowling alleys, music and meeting rooms. Over the years, meeting rooms gave way to classrooms and the theater became a temporary church in the early 1950's after a devastating fire damaged the existing church building.
As of 2012, under the direction of ADP Productions, the Athenaeum is once again fulfills it's original purpose - to entertain. This now 985 seat theater space that has been renovated to his past pristine glory. Sanborn Fire Insurance Maps
1923
no significant change to the theater in the 1950 map
The Thanksgiving Fire
of 1939
photo source unknown/forgotten

The Various Photo Angles
2016-2017
Joan O via Yelp
photo - Chicago Tribune
photo - Steve A via Yelp
photo - Donald M via Yelp
photo - Athenaeum Theater
photo - Athenaeum Theater
photo - Mirko P via Yelp
photo - Open House Chicago
a back stage view
photo - Athenaeum Theater
photo - Open House Chicago
photo - Space Finder Chicago
photo - Atheneaum Theater
photo - Athenaeum Theater
photo - Open House Chicago
photo - J.L. S via Yelp
photo - Open House Chicago

photo - Open House Chicago
Victoria G via Yelp
Buzzy R via Yelp
photo - Aaron S via Yelp
titled 'craftsmanship' by photographer
photo below - Mirko via Yelp
2018 photos
by Michael Trudeau via Forgotten Chicago-Facebook

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1996 poster - Ebay
2001 - Chicago Tribune
this illustration was created in 1935 by an artist named
Anthony F Dumas - Ebay
A 1911 article about the ground breaking
The history of the building dates back to the turn of the
20th century. Designed by architect J.E.O. Pridmore, construction of the
building began in 1909, and by 1912 the 1,400-person theater was complete.
Pridmore, who began his work designing homes in Chicago’s Edgewater
neighborhood, was also the architect for other historic buildings in Chicago
such as the Bush Conservatory of Music (formerly the Bush Temple of Music) and
the Episcopal Church of the Atonement and Parish House, which both are now on
the U.S. National Register of Historic Places. When the $300,000 project was
complete, Pridmore’s style of French Renaissance revival architecture had
created a reflection of luxurious, high class living, and the Victoria Theatre
(as it was initially known) officially opened. Marks said, “The architectural
history of the building contributes immensely to the concert experience. - 14East
The theater to the right and another entertainment spot called the Merry Garden Ballroom to the left
1922 photo - Daily News Archives/Chicago History Museum
1957 photo below - Museum of Innovation and Science
via Cinema Treasures
2005 photo - Cinema Treasures
Sanborn Fire Insurance Map
1923
no significant change to the theater in the 1950 map
1950's - unknown source
photo - Cinema Treasures.org
a 1980's view of the seating
images - Tuts Chicago-Facebook
Sanborn Fire Insurance Map
1923
zoomed below
zoomed further below
photo - Chris Mutert via 14East
Various Photo Angles 2017
photo - Kelly N via Yelp
photo - Shannon J via Yelp
photo - STS9
photo via Pinterest
photo - A.S.V. via Yelp
the old ticket booth
photo - Garry Albrecht
the architecture
photo - Patti Smith via Huffington Post
above photo - Doug K via Yelp
photo - Groupon
photo - Joshua Mellin via Flickr
photo - George M via Yelp
above photo - Shannon J via Yelp
before a show
below photo - Continuum Wedding Photography
a wedding venue
List of History of Performances
since 1989
ticket - Concert Archives
Rodrigo and Gabriela
photo - Vic Doug K via Yelp
Allen Stone
photo - Iwona M via Yelp
Bastille in 2016
photo - Dylan M Yelp
Bleachers 2014
photo - Kristy B via Yelp
above photo Caroline M via Yelp
Devendra Barnhart & The Grogs 2010
from Real Estate 2017
photo - Vic Jessi C via Yelp
Clubland
in the Vic
matchbook - part of my collection poster - Paul's Voyage of Discovery
This theater was the home of Clubland, "a night club within a night club" (1979-89) that used tons of video screens throughout the night club space. Performers such as Bob Dylan, Tom Petty, Heartbreakers, and Jerry Seinfeld have graced its' space. According to the article link above 'The Clubland was a more than respectable video club. But there`s more. Jarvis and Gentry have given the first floor of the Vic an extensive facelift, adding new tables and chairs (smaller and more intimate than before), a bench seating area and brass rails. It gives the room a sleeker, more clublike look, as well as providing more aisle room (which the partners hope they`ll need). ``Our object was to make the place more comfortable."
above photo - B.L. via Yelp
below photo - photo - Chicago Musical Theater
Opened as the Blaine Theatre, a nickelodeon, in 1912, the
theater later showed silent films until around 1920. According to Cinema Treasures from 1920 until 1947, the
former theater served as a carpet cleaning factory using the rake of the seating area to lay rugs out and drain the water off. The owners, DeKoven family, used the building as series of retail uses until 1994, when it was
purchased by Michael Cullen - owner of Cullen's Bar & Grill and Joe Carlucci transformed the building back into a
theatre, the Mercury Theatre, a 300 seat performance venue in 1996
with “Pope Joan”. - Cinema Treasures
Sanborn Fire Insurance Maps
1923
with an(other?) entrance from an alley
1950 zoomed map labled as 'Club Room'
photo - GoldStar
Allison W via Yelp
photo - Mercury Theater
photo - Mercury Theater
chart - Theater in Chicago
backstage view
photos - Space Finder Chicago
with an entrance to the upper balcony
below photo - Chris T via Yelp
photo - Ebay
photo - Pam D via Yelp
The Christmas Schooner
Barnum
photo - Mercury Theater
Freud's Last Session
above photo - Mercury Theater
below photo - YouTuve/Mercury Theater
I Wanna Be a Producer
and adjacent to it ...
Venus Cabaret
This theatre opened in 2017 as a expansion to the Mercury; once called Cullen's Bar & Grill
above photo - their website
below photo - Chicagoland Theatre
and down the street ...
photo - Music Box Theater
above photo - Linda G via Yelp
below photo - Chicago Traveler
1986 photo below
Chicago History Museum
The original name
of the theater was
The New Blaine Theater
in 1928
This small theater opened on August 22, 1929, a time when the movie palaces in downtown Chicago each had seating capacities of around 3,000 people. The Music Box, which sat 800, was considered an elaborate little brother to those mega theaters of Uptown and downtown.According the Cinema Treasures The Music Box Theater would
later play to mainly second and third-run movies as well as closing and
reopening several times. By the 1970’s, the theater was showing Spanish and
Arabic-language movies, as well as porn. The theater had become more than a 'bit
rough around the edges' when it was closed in 1977. With new owners the theater
was renovated in 1982 and reopened in 1983 showing an eclectic mix of classic,
foreign, and art house films ever since.
A publication called 'Theater Architecture noted in 1929 that this unique theater “represents the smaller, though charming and well equipped, sound or talkie picture theater which is rapidly taking the place of the deluxe palaces.”
Sanborn Fire Insurance Maps
1923
1950 zoomed map
with a seating of 772
photo abpve - Cinema Treasures photo below
Ravenswood Lake View Community Collection via
Sulzer Regional Library

A Review
in 1929
text
Steve Zalusky via Forgotten Chicago-Facebook
a page of shows in 1986
Gail Perry via Forgotten Chicago-Facebook
photo - Gunaixn Travel
photo - Roadside Architecture
photo - Roadside Architecture
photo - Roadside Architecture
photographer Kyle Brown via Pictures of Chicago-Facebook
photo - Roadside Architecture
photo - Music Box
photo - Music Box
photo - Music Box
photo - Open House
photos - Music Box
photo below - anokarina/Flickr
Dave Jennings, the theater's general manager, announced
the $280,000 plans according to DNAinfo in 2013.
"Since 1991 guests have enjoyed thousands of films
that have screened in the smaller auditorium while occasionally taking issue
with seats in need of replacement, limited visibility and sound pollution from
passing cars," Jennings wrote in a blog post. "The renovated space
will present the best in digital and film projection and programming
capabilities that Music Box patrons have come to expect. In other words, "Over the past five years the Music Box Theatre has invested in the audience experience by updating the HVAC and Electrical systems, reupholstering the seating in the main auditorium, installing digital cinema in both auditoriums while maintaining film projection, and a complete renovation of the smaller screening room in 2013".
2013 Expansion Photos - Lake View Patch
Final Product
photos - Music Box-Facebook
The Rocky Horror Midnight Production
by Linda G via Yelp
in June 2020
Masks Required
images - Chicago Film Festival
once a stable for horses
and then a garage for cars
photos - Trip Advisor


What is the Briar Street Theatre today began as a
carriage house in 1901. Then, the spaces were used for stables for the Marshall
Field’s department store delivery service. Of course, the building outgrew its
purpose and became unused. In 1970, Topel and Associated owner Walt Topel
purchased the building from a moving company to use for his film production. Topel
redesigned the space into a sound stage and from 1977 to 1985, used it for his
post-production company, Cinetronics. When the company relocated downtown, it
was reopened as a theater and quickly became part of Chicago’s arts culture.
Today, the venue is still owned by the Topel Family. Inside, the original
second floor still hangs by visible large turnbuckles. The 625-seat theater
offers impressive sightlines and acoustics with a proscenium stage. There isn’t
a bad seat in the house (or Horse, as some joke), as the layout was designed to
have a perfect view from every angle. Today, it hosts the long-running Blue Man
Group performance. - Chicago Traveler
photos - Trip Advisor
From 1977 to 1985, this building also housed Walt Topel's post-production company, Cinetronics, Ltd. In 1985, the theater was reopened and became a part of the culture that is Chicago. The Blue Man Group are three bald men dressed black clothing and the remaining showing skin is painted blue. During the performance, they incorporate the audience in their performance with music, art, science, and vaudeville in a way that has not been experienced in any other form. - Wikipedia
Before BlueMan Group
Sanborn Fire Insurance Maps
1923
zoomed below
1950
zoomed below
The Seating Arrangement
from their Facebook page

photos - Trip Advisor
once a local post office
now a community theatre venue
and an introduction to my next post called
Local Community Theatre: past & present
photo edit - Open House Chicago text images below - Wit Theater
As a production company, Theater Wit’s is the premier
smart art theater in Chicago, producing humorous, challenging, and intelligent
plays that speak with a vibrant and contemporary theatrical voice. As an
institution, Theater Wit seeks to be the hub of the Chicago neighborhood
theater scene. In our three spaces, we bring together Chicago’s best storefront
theater companies. Here you will find a smorgasbord of excellent productions,
see the work of a parade of talented artists, and mingle with audiences from
all over Chicago. text - Enjoy Illinois

How does it work?
This part is theater-geeky… The theater is a communal experience;
in which we are as affected by the micro-musculature responses of those who
surround us as much as by the performances. It is not a solitary communion, but
a community effort that reaches toward collective understanding. We’ve all
attended the theatre when the audience has been “live” —particularly engaged
and responsive. Those evenings are more rewarding, because the group feedback
amplifies the action of the play. The beauty of audience design is that it
doesn’t require anything except honest response from its participants. The more
the people around us are invested, the greater our response. It is a core
biological response to group dynamics that dates back a hundred thousand years.
By placing disparate communities into the room who wouldn’t normally be seeing
the play (and certainly wouldn’t be seeing the play together), we can
consciously craft the response dynamics in the room so that everyone’s
experience is informed and transformed by one another.

the lobby below
Ticket Windows below
and once called
No Post Notes
Follow me to my next post called
These posts are exclusively used for educational purposes. I do not wish to gain monetary profit from this blog nor should anyone else without permission for the original source - thanks!
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